A LITTLE CHRISTMAS MUSIC by Eugene Hutchinson Mallory 2 My late wife, Dorothy, has a VOICE and the idea that her destiny was to sing belcanto opera and flounce about the grand opera stage portraying the flamboyant emotions peculiar to that medium. She devoted much time and effort to that end, but it was not to be. Her destiny was religious music and even in small town churches with no sound equipment and the acoustics of double sized hay barns she did it superlatively well. There is an old story that everyone has one supreme ability if they can just find it. If this is true, hers was to sing Schubert's Ave Maria. Some quite non-religious people have told me "My your wife sings like an angel." I never thought she was particularly angelic in any of the other aspects of her personality, but I never heard anyone who could do more with that beautiful and moving song than she could. When we moved to California she tried out for the choir of All Saints Church in Beverly Hills and was accepted. I don't imagine that the heavenly choir is any more exclusive than All Saints. So perhaps the home town folks were right and she could sing like an angel. Every year the music center puts on a twelve hour Christmas music show giving many groups a brief exposure. Public T.V. broadcasts the whole twelve hours. Two seasons ago I was watching without paying much attention when a Korean choir of some sixty women came on. They soon had my attention for almost at once I began to pick out a voice. A voice I had not heard in song for many years, a voice stilled forever nearly four years before. Among the sixty odd women in the picture I could not identify the source, but the voice was surely there. I thought at once, a singer like that will surely have a solo part and she did. An oriental woman, nice looking, but except for the choir robe no resemblance to my dead wife. The voice was the same, not similar, but the same. Not only the voice, but the manner and style. Most of the solo singers had put on quite a show with vocal gymnastics and theatrical gestures, waving a microphone about and occasionally trying to swallow it. Dorothy had often said, "Anyone who has to swallow the mike to be heard has no voice, and can not sing." Not this oriental lady. She just stood there in her robe, no microphone in sight, and sang, sang with cool tranquil confidence, just the way Dorothy sang. The impression was that the singer was only a channel, a conduit bringing the music from some other realm. The strange lady on the T.V. did not sing the Ave Maria and didn't sing long, but her brief appearance in the long chain of perceptions that has made up the reality of my life is not easily dismissed. I had been brought up to believe all the events that were to make up my life would come from the future, a kind generative mechanism that I could influence for good or ill by my choices of actions. "Be a good boy and Santa will come. Save your money and you will be rich." The ability to predict the effect of present action on this mysterious future was called good judgment and my father thought I lacked it. Presumably because I was young and half Ferris, and I must agree that events have proved him right. Now here was this strange event not conceivably generated by any conceivable future, an event straight from the past, striking from behind with no small impact. The wise men of the east have long taught that the events we westerners perceive as reality are merely a magic show and have no relation to reality. Was this voice from the past just a bit of magic where most of reality had slipped a bit? Or was there a gap in the succession of events wanted and unwanted that the relentless conveyor belt of time delves into our lives and takes away again with an equal disregard of our wishes? Could that gap have exposed a tiny bit of that eternal reality, not subject to the tyranny of time. The reality those eastern thinkers urge us to seek, but can not and will not describe.